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In 1953, Aldo van Eyck introduced the idea of the “threshold” as the realm of the in-between, with the aim of restoring harmony between the opposing categories that shape our existence. On this, he stated: “On the one hand, the individual; on the other, the collective… Between them, society as a whole erects countless barriers.”

Montevideo, like any living city, can be understood as an organism in constant transformation. With “Banca” by Diego Arraigada, a space meant to be looked at is replaced by a place meant to be used. A window disappears, and the facade is reconstituted as solid and folded, taking on the thickness of a bench.

The memory of Italian Renaissance palaces and their relationship with the street comes to the fore. Resting, conversing, and contemplating urban life emerge as possibilities. The sidewalk is no longer just for passing through, but also a place to stay.

With “Banca”, Diego Arraigada invites us to restore the harmony of a more welcoming city, one that is adorned to be used and lived.

Pedro Livni, October 2023